|
A few years ago, the students and faculty of Michigan State
University came together to celebrate the Spartans' victory in the
finals of the NCAA men's basketball championship. That joyful
scene stood in contrast to events three years earlier that also
brought people in East Lansing together: shock and sorrow over
a series of suicides among Michigan State students. Within three
months, six Michigan State students had taken their own
lives.
Between January 16 and April 15, 1997, the six students, all
of them males, committed suicide. Three of them shot
themselves to death; two died by hanging; and the sixth threw
himself in front of a train. Apart from their enrollment at
Michigan State, and the circumstances of their deaths, the
students appeared to have little in common.
While the extent of the East Lansing outbreak may have
been unusual, there's nothing unusual about college students
taking their own lives. On the contrary, what happened in East
Lansing conforms to what we know about suicide.
According to the American Federation For the Prevention of
Suicide (AFPS), suicide is the third-leading cause of death among
Americans between the ages of 15 and 24, and it's the second-
leading cause of death — behind only traffic accidents
— among college students. In addition, the suicide rate is
higher among 19- to 24-year-olds enrolled in college than it is
for those who aren't enrolled.
These numbers tell only part of the story. Since 1950, the
suicide rate among college-aged women has more than
doubled, while the rate among college-aged men has tripled.
Even suicide "clusters" — like those in East Lansing
— aren't all that uncommon. As Kay Redfield Jamison, a
professor of psychiatry at Johns Hopkins points out in her book
Night Falls Fast: Understanding Suicide, the past 10
years have seen clusters in communities as different as South
Boston and Fairfax County, Virginia. Nor is Michigan State the
only college campus to witness a cluster of suicides in recent
years.
But all the talk of numbers and patterns still leaves us with
the question: "Why do people, especially the young, take their
own lives?" The most common factor is mental illness —
in particular, "mood disorders" such as clinical depression and
manic-depressive illness, also known as bi-polar disorder.
Clinical depression is a medical condition "which paralyzes
all the otherwise vital forces that make us human," leaving us
with a life that is "bloodless" and "painless." Manic-depressive
illness adds the element of mania, which leaves people feeling
exultant, grandiloquent, expansive and irritable. Contrary to
what you may have heard, the holidays are not the peak time for
suicide. Late spring and early summer are.
As Jamieson notes, the presence of mood disorders not only
makes it more likely that a person will attempt suicide, but also
will incline them towards more "serious" efforts in that direction
— that is, efforts that exhibit more forethought and
planning.
The impact of mood disorders, whose average onset is
between 18 and 25 years of age, is heightened by a staple of
college life: drinking. Anyway you slice it, alcohol and mental
illness is a bad, often lethal, combination. Many people with
depression drink, or use drugs, to relieve their symptoms. But,
as Jamieson puts it, alcohol and drugs "more often worsen [the
pain]" they're intended to alleviate. They "undermine the
individual's willingness to seek out and receive good clinical
care" and "sabotage the effectiveness of prescribed treatment."
They reduce inhibitions and increase risk-taking, thus
reinforcing whatever tendencies toward self-destruction we may
possess.
Although medical and personal factors get the lion's share
of attention, cultural factors are not faultless. Nihilism —
which Thomas Hibbs of Boston College defines as "spiritual
impoverishment" and "shrunken aspirations" — has come
to characterize much of American culture over the past 50 years.
To put it plainly, today's Americans, in particular the young,
have more difficulty in identifying something that provides
purpose and meaning to their lives.
Additionally, the institutions that traditionally transmitted
"meaning," such as church and family, have less influence on us
than they did 50 years ago. Our popular culture, whose influence
has increased as church and family have seen their influence
wane, is, as Hibbs writes in his book, Shows About
Nothing, steeped in nihilism. This pop culture nihilism, as
depicted in television and movies, can spiritually impoverish us
in two principle ways. The first is exemplified by movies such as
The Exorcist, Silence of the Lambs, or, more recently
American Psycho, which is based on the controversial
Bret Easton Ellis novel. In these films, evil is real, personified by
what Hibbs calls the "demonic anti-hero." What's missing is any
sense of a countervailing force for good. We are left feeling, as
Hibbs puts it, that "ultimate justice is elusive, [and] we are
tempted to see the underlying force as malevolent and
punitive...."
Or, life can appear to be totally trivial and superficial. Much
of our popular, or more precisely, mass, culture is so busy
striking an ironic pose, it leaves viewers with the impression that
engaging our passions and believing deeply in something is in
bad taste. So we're left with two conclusions: Horror teaches us
that "life's a [expletive deleted] and then you die," and our
lighter fare agrees with Macbeth that life "is a tale told by an
idiot, full of sound and fury, signifying nothing."
For those already in the grip of depression, such a message
cruelly tells them that there really is no hope — nothing to
live for. It tells them that this is the way life really is. What's
more, it loosens their ties to the very people who could save
them: their family and the church. It makes others less confident
in countering the culture and less persuasive.
Making matters worse is that, unlike Hamlet, whose fear of
God and knowledge that his life wasn't his own —
"conscience doth make cowards of us all" — stayed his
hand, we have no such belief. On the contrary, we've embraced a
personal autonomy that makes every individual the arbiter of life
and death. We believe that our person is ours to do with as we
please. States such as Oregon have even created a "right" to
have a physician assist you in the act of killing yourself.
When you tell people that life isn't worth living and, what's
more, it's not sacred, is it a surprise when increasing numbers of
them choose to end their life? The surprise would be if they
didn't.
* * *
I have manic-depressive illness. I've been up close and
personal with the kind of depression that feels like someone
sucked all of the oxygen out of the room. I know all about the
infelicitous brain chemistry than can make it almost impossible
to get out of bed. I also know about the flip side: the
exhilaration that makes you scarily productive and creative. I
know what it's like to not want to sleep because you want to
record your "genius" for posterity. I'm here because of
medicine.
But I also know that medicine isn't a substitute for faith.
Medicine can only treat our symptoms. This can keep us alive,
but it can't give us a reason for living. We have to want to get
well, and as any shrink will tell you, half the battle in treating
people with mood disorders is getting people to take their
medicine — especially since some of the drugs used have
side affects, at least initially.
Without faith, we're stuck with what the New Testament
calls "bios." That's physical life scarcely indistinguishable from
plants and animals. We eat, we breathe and we sleep. Faith,
specifically faith in Jesus Christ, is necessary to experience
"Zoe," life that's filled with joy and purpose. No medication can
provide you with "Zoe." And the fact that you have a mood
disorder doesn't preclude you from experiencing it.
The English poet Lord Byron once told a friend that while he
had thought of killing himself on many occasions, he was kept
from doing so by thought of how happy it would have made his
mother-in-law. Mother-in-law jokes aside, Byron was on to
something that our culture seems to have forgotten: our moods,
and the biology behind them, don't have to have the final word.
The best suicide prevention strategy starts with giving people a
reason to choose life.
|